India’s senior population is on the rise, and with it comes a shift in how we perceive ageing and autonomy. In Aamar Boss, the acclaimed duo of Nandita Roy and Shiboprosad Mukherjee—best known for their socially driven films—explore this idea, depicting retirement not as a finale but as the opening of new doors, even if the path is occasionally rocky.
Plot in Brief
Widowed ex-nurse Shubhra (played by the venerable Rakhee Gulzar) finds her days hollow after leaving behind decades of work and the bustle of a joint household. Her son Animesh (Shiboprosad Mukherjee), a busy editor, means well but struggles to balance his career demands with his mother’s emotional needs. Craving purpose, Shubhra takes an internship in his office. Before long, she’s sparked to launch a social enterprise aimed at empowering fellow seniors—igniting both pride and domestic tension.
Performances That Shine
Rakhee Gulzar anchors the film with quiet dignity. She makes each pause and knowing glance speak volumes, capturing both vulnerability and resolve. Opposite her, Shiboprosad Mukherjee is convincingly torn between familial duty and professional pressure, though his romantic subplot feels tacked on. Veteran comedian Kanchan Mullick and the evergreen Sabitri Chatterjee provide welcome levity, though their scenes occasionally overstay their welcome. Among younger cast members, Gourab Chatterjee and Sauraseni Maitra inject fresh zest, particularly in interactions that underscore generational contrasts.
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Visuals and Pacing
Cinematographer Soumik Haldar frames Kolkata’s skyline with warmth—one sunset exchange between mother and son lingers in the memory. The first half moves with gentle charm, but as new characters and side stories multiply, momentum flags. Comic interludes brighten the mood, yet some feel like detours rather than integral beats. A couple of musical numbers add color, though neither advances the narrative in a meaningful way.
Themes and Takeaways
In Aamar Boss, Roy and Mukherjee revisit familiar territory—the reinterpretation of family roles as seen in Bela Seshe and Posto—but with a fresh lens on elder agency. The film poses a timely question: When society writes off the elderly as “done,” what happens if they insist on redefining themselves? It champions respect and self‑determination, reminding us that the end of a career can herald a new beginning.
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Final Appraisal
Uneven pacing and a few underdeveloped tangents keep Aamar Boss from reaching its full potential, but its heart remains in the right place. Rakhee Gulzar’s performance alone makes the film worth a watch, offering a portrait of ageing that is both uplifting and relatable. For anyone curious about the challenges—and surprising rewards—of later‑life reinvention, this drama delivers genuine warmth and thoughtful reflection.
Overall Rating: ⭐⭐⭐⭐ (4 out of 5)