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Bhog (2025) [Web Series Review]: Offering of Obsession – Unraveling a Haunting Devotion

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Director: Parambrata Chattopadhyay

Story: Avik Sarkar

Cast: Anirban Bhattacharya, Parno Mittra, Rajatava Dutta, Sudipa Basu, Subhasish Mukherjee, and more

Music & Background Score: Nabarun Bose


Sinister Beginnings

Parambrata Chattopadhyay wastes no time in plunging us into unease. An opening montage of whispered mantras, punctuated by a blood-red, white, and jet-black color scheme, recalls his earlier Hoichoi work yet immediately stakes out new ground. Even fans of Avik Sarkar’s original short story—or those who heard its spine‑tingling radio adaptation on Mirchi Bangla—will find themselves on edge from the very first frame.
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The Offering Unveiled

Atin (Anirban Bhattacharya), a Kolkata sales executive in his thirties, leads a quiet life under the care of Pushpa di (Sudipa Basu) and his uncle Bhabesh Kaku (Rajatava Dutta). A chance encounter with a four‑armed goddess statue in a friend’s curio shop awakens an irresistible pull. He brings the idol home, begins worship, and is soon plagued by vivid nocturnal visions in which the deity demands “bhog”—an offering. Compelled beyond reason, Atin’s world begins to twist into darker shapes.


Atmosphere & Technical Craft

Bhog’s strength lies in its meticulous atmosphere. Basudeb Chakraborty’s cinematography uses chiaroscuro lighting to cloak characters in half‑shadows, while Shantanu Mitra Neogi’s screenplay deepens unanswered questions from the source material. Nabarun Bose’s understated yet chilling score steadily tightens the screws, and well‑earned CGI moments accentuate rather than overwhelm. The series even nods to its cinematic predecessor, Rajorshi Dey’s 2019 film Purba Paschim Dakshin Uttar Asbei, yet maintains its own distinct, claustrophobic mood.

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Performances That Haunt

Anirban Bhattacharya anchors the series with a masterful portrayal of slow psychological decay—his posture, his haunted gaze, and every tremor in his voice speaks volumes. Parno Mittra is magnetic as Damri, the enigmatic woman Atin rescues, whose presence both soothes and terrifies. Sudipa Basu brings maternal warmth, and Rajatava Dutta offers a steadying familial counterpoint. In a memorable cameo, Subhasish Mukherjee injects fleeting comic relief that only sharpens the surrounding dread.


Final Offering

Bhog transcends conventional horror by asking whether faith itself can become a prison. As Atin’s devotion consumes his sense of self, the series probes the fine line between surrender and madness. Over six tightly woven episodes, Parambrata Chattopadhyay delivers a polished, thought‑provoking thriller that lingers long after the credits roll.

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Final Rating: ★★★⯪ (3.5 out of 5)

A richly textured supernatural drama, Bhog is a must‑watch for anyone drawn to mysteries that demand an emotional—and spiritual—response.

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