Insaaf – Tale of Legends (2025) [Movie Review]: Justice Served with Style, But Lacking Substance

A Promising Setup

Justice on the Edge

With direction from Sanjoy Somadder and a script by Nazim Ud Daula, Insaaf - Tale of Legends assembles a powerhouse cast—Sariful Razz, Tasnia Farin, Mosharraf Karim, Chanchal Chowdhury, Misha Sawdagor, and more—to explore vigilante justice in Dhaka’s underbelly. Backed by Titas Kothachitro and TOT Films, the film opened in twenty multiplexes on a wave of striking teasers, character posters, and the viral track “Akashete Lokhho Tara 2.0,” setting audience expectations sky-high.

Ambitious Yet Rushed Screenplay

Too Many Threads, Too Little Time

The narrative pivots around Yusuf, a brutal crime lord, a principled cop, and a shadowy avenger. The first half unfolds methodically, building tension before the interval. Afterward, however, the pace hurtles forward, dumping new figures and subplots into the mix without sufficient breathing room. Themes of moral ambiguity and civic unrest are introduced with flair, but character arcs and emotional beats suffer from abrupt shifts and underdevelopment, leaving viewers struggling to keep up.

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Ensemble Cast: Star Power vs. Character Depth

Brilliant Moments, But Fleeting

Sariful Razz’s Yusuf is magnetic—his chilling milk-ritual after each murder lingers in the mind. Tasnia Farin brings welcome grit to her police role, and Mosharraf Karim’s enigmatic vigilante wields an axe and an aura of menace that thrills. Veteran talents like Fazlur Rahman Babu and Chanchal Chowdhury add gravitas in supporting roles. Yet, the screenplay’s breakneck momentum prevents any performer from fully inhabiting their part—motivations go unexplored, relationships barely register, and a teasing romance feels tacked on.

Visuals and Sound: The True Heart of Insaaf

Stunning Frames, Pulsing Beats

Where Insaaf truly excels is in its sensory assault. Cinematographers Razu Raz, S. M. Azhar, and Biswjit Datt paint Dhaka in neon-soaked blues and reds, capturing everything from rainy-night pursuits to grimy backstreets with near-poetic beauty. A rain-drenched chase sequence stands out as a masterclass in mood. Arafat Mohsin Nidhi’s score amplifies every tense standoff and tender lull, though some transitions jar against the frenetic editing. The song “Prem Pukure Boroshi” delivers a brief, soulful respite—if only its placement felt more organic.

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Final Verdict

Thrilling but Incomplete

At three out of five stars, Insaaf – Tale of Legends is a bold experiment that dazzles with visuals and performances but falters in storytelling. Its fierce dialogue and high-octane action keep audiences engaged, and Dhallywood may well celebrate its ambition. Still, the overstuffed plot and undercooked character arcs prevent the film from realizing its full potential. Somadder’s direction hints at greater things to come—if the promised cinematic universe ever arrives, a tighter script and deeper emotional core will be essential. For now, Insaaf remains an exhilarating, if flawed, addition to Bangladeshi action cinema.

Overall Rating: ⭐⭐⭐ (3 out of 5)