Killbill Society (2025) [Movie Review]: A Razor‑Sharp Romance in a Darkly Comic World

Thirteen years after Hemlock Society, Srijit Mukherji returns with Killbill Society, blending black comedy, romance, and thriller into a meta‑narrative that skewers Tollywood’s self‑referential excesses. Social media influencer‑turned‑actress Poorna (Koushani Mukherjee) spirals into despair after a toxic relationship collapses. Convinced she can’t end her own life, she hires a contract killer—only to discover he’s Ananda “OntoRIP” Kar (Parambrata Chattopadhyay), the very founder of the Hemlock Society. What begins as a lethal assignment transforms into an unlikely love story as both grapple with grief, guilt, and second chances.

Direction & Screenplay

Under Mukherji’s direction and alongside co‑writers Rohit Dey and Rohit Soumya, the screenplay indulges in rapid‑fire puns and insider in‑jokes that will delight Tollywood aficionados, though they sometimes verge on over‑indulgence. The first half’s brisk pace and punchy one‑liners give way in the latter half to longer, more contemplative sequences: a twilight serenade in a cemetery, an intimate barge‑ride kiss beneath the Vidyasagar Setu—moments that allow the characters’ emotional arcs to breathe.

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Performances

Parambrata Chattopadhyay embodies Ananda with a deadpan intensity, his bald‑headed, bookish persona morphing convincingly into that of a reluctant hitman. Opposite him, Koushani Mukherjee navigates Poorna’s fragile psyche with aplomb, balancing vulnerability and defiance. Soumen Chakraborty and Sandipta Sen add depth as Poorna’s inner circle, while Biswanath Basu steals scenes as Petkata Shaw, the melodramatic gang lord whose love of family films becomes an unexpected source of humor.

Music & Visuals

Indraadip Dasgupta’s score propels the film, interweaving haunting cello motifs with catchy Bengali ballads—most notably an Anupam Roy number that underscores the cemetery serenade. Amit Singha’s cinematography captures both the gothic beauty of twilight and the vibrant chaos of urban life, providing a visual counterpoint to the film’s tonal shifts.

Themes & Resonance

Beneath its sardonic humor, Killbill Society tackles weighty themes: the stigma of mental health, the search for agency, and the redemptive power of human connection. Its pro‑life and pro‑feminist undercurrents feel timely, inviting reflection even as the film entertains. While the relentless self‑referential humor may alienate casual viewers, those attuned to Mukherji’s stylistic flourishes will appreciate the film’s audacious blend of genres.

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Verdict

Rating: 3 / 5

Killbill Society is an audacious, genre‑bending outing that rewards patience with genuine emotional payoff. Though its first half indulges a bit too much in insider banter, the magnetic leads, evocative music, and poignant second act make it a worthy cinematic escape, perfect for a festive weekend when you’re in the mood for something both darkly humorous and surprisingly heartfelt.