Delupi centres on a flood-ravaged union in rural Bangladesh and the fragile political order that rises — and re-forms — in its wake. Director Mohammad Touqir Islam, known for his regional OTT work, makes a confident leap to the big screen with a film that marries local specificity to broader sociopolitical questions. The picture has already begun its theatrical run, opening first in Khulna before rolling out nationwide.
Story & Setting
When water rises, so do old patterns
Set against the literal deluge that drowns fields and disrupts life, the screenplay follows a small cast of villagers as established structures collapse and new, unelected powers seize control. On the surface, it’s a compact community drama: rehearsed Jatra scenes, youthful idealism, an unelected chairman and local rivalries. But the film continuously widens its lens, using the flood as a metaphor for political churn and the recurring failures of reform. The synopsis and narrative thrust lean into the region — Khulna and the Deluti Union — so that the landscape itself becomes a character.
Direction & Screenplay
Neorealism with a theatrical heart
Touqir’s direction opts for a neorealist texture: many cast members are non-professionals drawn from the region, and the performances feel unposed and immediate. The screenplay — co-written with Amit Rudra — resists offering tidy answers, preferring instead to map cycles of hope and disillusion. This restraint is the film’s strength: it trusts small moments (a rehearsal, a phone call, a village meeting) to accumulate into thematic weight. At times, the film’s ambition outpaces its formal control, but its tonal balance — humour, romance, satire — keeps the film buoyant even when the subject matter gets heavy.
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Performances
An ensemble that lives in the world it portrays
The cast — featuring Chiranjit Biswas, Palash Kumar Ghosh, Md Zakir Hossain, Aditi Ray, Rudra Roy and a chorus of local actors — is the picture’s most compelling asset. Their authenticity grounds the screenplay’s political abstractions in lived detail. Lead interactions, especially the tender romantic threads and the youthful anger at co-opted power, land because the actors embody the rhythms of village life rather than perform for the camera. The director’s choice to cast locals pays off in human texture that big-budget emulation often lacks.
Themes & Takeaways
Politics, memory and why cycles repeat
Delupi reads like a microcosm of national frustration: youthful revolts that promise renewal only to find new gatekeepers, the theatricality of power, and the way catastrophe reveals both solidarity and opportunism. The film invites viewers to ask why political cycles persist and who gets left out of “rebuilding.” Its political fingerprints are subtle but deliberate — the opening jabs at a fallen regime and the subsequent scramble for control are framed as local events with national echoes.
Technical Notes & Shortcomings
Raw charm, occasional rough edges
Cinematography frequently captures mud, monsoon sky and crowded verandas with a tactile eye, while sound design roots the film in regional sonic textures. Yet the film sometimes shows the unevenness of a first feature: the third act feels abrupt, and certain emotional arcs could have used more breathing room. These flaws are real but forgivable next to the film’s accomplishments in voice and authenticity.
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Verdict — ★★★⯪☆
A heartfelt, necessary film that announces a fresh cinematic voice
At 7.5/10, Delupi is neither pristine nor pandering — it’s blunt, humane, and politically aware. It may not satisfy viewers seeking conventional plot resolution, but for audiences hungry for films that are unmistakably of Bangladesh — rooted in place, dialect and struggle — Delupi is an invigorating, important watch. The film’s local casting, thematic courage, and willingness to let the community speak for itself make it a standout entry in contemporary Bangladeshi cinema.
December 4, 2025
December 4, 2025
December 4, 2025