Durgapur Junction (2025) [Film Review]: A Moody Medico-Crime That Shines in Parts

Arindam Bhattacharya’s Durgapur Junction opens with a premise that instantly grips: a string of unexplained deaths among a specific age group in an industrial town, hinting at a sinister medicine racket and a methodical, small-town conspiracy. The film positions a tenacious senior journalist and a driven CID officer on a collision course as they chase a puzzle that implicates both commerce and conscience. This is a tidy, high-concept hook that promises a layered thriller.

Plot & Pacing — Promise, Then a Tangent

For much of its runtime, the screenplay steadily unspools clues and atmospherics, but around the second act, the narrative takes a detour that undercuts its initial momentum. What begins as a focused investigation grows messy — a subplot involving a vengeful character and several abrupt twists leaves more questions than answers. The result is a film that often feels rushed in places where it should linger, and indulgent in places that require restraint. Critics have flagged this unevenness even while acknowledging the film’s intriguing setup.

Performances — Strong Central Anchors

Swastika Mukherjee carries the film with authority as Ushashi, the journalist who won’t let the story die; she brings grit and a lived-in urgency to the role that elevates scenes that the script leaves thin. Vikram Chatterjee’s CID officer is suitably intense and watchable, even when his arc isn’t fully developed. Ekavali Khanna’s CID chief, though present, is underused — a pattern that shows the film’s weakness in distributing narrative weight among its ensemble. The acting is, however, consistently one of the film’s major assets.

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Direction & Script — Ambition Outruns Execution

Bhattacharya clearly wants a taut, idea-driven thriller; he gets the mood and the frames right, but the screenplay sometimes betrays the director. Tight, deliberate plotting is traded for sudden reversals and an underexplored motive structure. The movie, therefore, oscillates between a slow-burn procedural and a more melodramatic second half — an identity crisis that prevents it from fully delivering as either. Several major twists feel telegraphed or insufficiently earned.

Technicals — Visual Texture and a Standout Soundtrack

Technically, Durgapur Junction is a treat. The cinematography favors cool, bluish tones that amplify the industrial gloom and investigative mood, giving many scenes a memorable, atmospheric look. The soundscape and background score complement the visuals, while one hip-hop track — noted as a striking highlight — injects an unexpected contemporary edge that lingers after the credits. These craft elements rescue sequences that might otherwise have fallen flat on the page. 

Verdict — Worth Watching for Its Performances and Style

Rated here at 6.5/10, Durgapur Junction is a film of definite promise and clear craft — not least because of strong lead turns and evocative production values. But the same film is hamstrung by an erratic second half and missed opportunities in character and motive development. Fans of atmospheric, idea-driven regional thrillers will find much to admire; those seeking a tightly wound, puzzle-first whodunit may leave wanting. Note that audience and platform scores vary (for instance, some databases show a higher user rating), reflecting the film’s polarizing mix of strengths and flaws.

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Final Thought — A Seed with Sequel Potential

If Bhattacharya tightens the script in a follow-up and gives its compelling protagonists more space to breathe, the hinted sequel (or a director’s cut) could turn a good, flawed experiment into a genuinely great regional thriller. For now, Durgapur Junction is a stylish, well-acted ride that sometimes stumbles on its own ambition — but remains worth a watch for the performances and the mood it so convincingly creates.