Ekhane Rajnoitik Alap Joruri (2026) [Film Review]: Ambition, Activism, & Urge to Talk Politics

Ahmed Hasan Sunny’s first feature arrives as a deliberate act of political cinema. Anchored in conversations and memory, Ekhane Rajnoitik Alap Joruri asks audiences to re-engage with the political threads that run through private lives. Released January 16, the film is less a tidy history lesson and more a reflective journey — messy at times, but earnest in its insistence that political discussion is necessary.

Plot & structure: A traveller who listens

Nur’s journey as an organizing device

The narrative follows Nur (Imtiaz Barshon), a Bangladesh-born professional visiting from the Netherlands, who travels toward Kuakata and, through chance encounters, is drawn into layered recollections of the nation’s past. Conversations with Satya Das (an educated fisherman) and Azad (a forest officer) structure the film: long, dialog-driven set pieces that sweep from Partition-era memories to the July 2024 uprising. The screenplay privileges testimony over archival exposition, letting the story unfold through oral histories and personal claims.

Writing & themes: Ambition meets uneven execution

Big ideas, inconsistent delivery

Written by Motashim Billah Aditto, Ahmed Hasan Sunny, and Khalid Mahbub Turjo, the script is commendable in its political ambition but uneven in craft. The first half lingers in lecture-like sequences that often flatten complexity into binary arguments. Historical moments—Partition, language movement, 1971—are hit in broad strokes, sometimes leaning on hearsay rather than nuance. Yet the second half, which homes in on the July uprising, brings sharper socio-political observation and emotional urgency, suggesting the filmmakers know where their strengths lie.

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Performances: Subtlety and committed presence

Actors who carry the weight of history

Imtiaz Barshon’s Nur is the film’s moral compass — an observant, restrained lead who anchors the film’s wandering discourse. Tanvir Apurba’s Mukto, though limited in screen time, leaves a strong impression through economical gestures and expressive nuance. Keya Al Jannah does what she can with a sidelined role; the film’s chronic underuse of women is an unfortunate omission given its political aims. Azad Abul Kalam and A. K. Azad Shetu deliver committed turns, though inconsistent dialogue rhythm and register sometimes hamper their impact.

Technical craft: Beautiful frames, bumpy edits

A textured visual and sonic palette

Cinematographer Abu Raihan offers memorable images — drone vistas of forests and oceans, evocative twilight frames, and a striking crane shot at Shahid Minar. Jahir Rayhan’s color grading favors a gritty, high-contrast look that suits the film’s activist mood. Musically, Ruslan Rehman and Abhishek Bhattacharjee build effective atmospheres; a song by Sunny himself is poignant, though awkwardly placed. Editing and continuity are weaker links: jarring cuts, chronology slips, and inconsistent lighting dilute some otherwise powerful sequences.

Strengths & shortcomings: Hope over perfection

What the film achieves — and what it misses

The film’s greatest success is its insistence that politics is inseparable from daily life and that asking questions matters. Documentary-style footage and protest depictions register strongly, and the July movement segment is the film’s emotional core. Its shortcomings—protracted first half, sparse female perspectives, occasional historical simplifications, and technical lapses—prevent it from becoming the definitive political chronicle it aspires to be.

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Verdict: A worthy, if imperfect, conversation starter

Should you watch it?

Ekhane Rajnoitik Alap Joruri is an earnest, artistically inclined debut that often stumbles but rarely lets go of its moral center. For viewers interested in politically minded Bangladeshi cinema, it offers moments of genuine resonance and a reminder that political awareness is an act of hope. It isn’t flawless history, but it is an important provocation — one that suggests Sunny has much more to say.

Overall Rating: 6.5/10