Jimmi (2025) [Series Review] — When Money Tests Morals in a Bite-Sized Bengali Thriller

Jimmi opens with an irresistible premise: Runa Layla, a dutiful middle-class woman, discovers a suitcase containing Tk50 lakh and watches her orderly life tip into chaos. Set against the charged backdrop of last year’s July Uprising, Ashfaque Nipun’s seven-episode crime drama follows Runa as unexpected wealth forces her into ethical gray areas — and draws the wrong sort of attention. What begins as a comic caper increasingly shades into a tense study of temptation, survival, and how a single windfall can rewrite someone’s life.

Performances

One towering lead, a supportive but uneven ensemble

Jaya Ahsan is the clear heartbeat of Jimmi. She navigates Runa’s shifting moral compass with nuance — mixing small, telling gestures with a comedic timing that keeps the character believable rather than cartoonish. Her Runa is not simply greedy or virtuous; she is messy, vulnerable, and often hilarious in her attempts to manage new problems. By contrast, many supporting players feel deliberately exaggerated: caricatures that fuel the show’s lighter moments but sometimes undercut its dramatic urgency. Iresh Zaker’s Azad (Runa’s husband) and several others lack substantial arcs, which leaves the series feeling top-heavy around its protagonist.

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Writing & Direction

Taut pacing, clever structure, and an allegorical undertow

Creator-director Ashfaque Nipun structures the story tightly across seven episodes, avoiding filler and making the series eminently bingeable. The narrative’s chaptered approach helps balance comedic set-pieces with escalating stakes. Where Jimmi particularly succeeds is in its willingness to play with context: by locating the story amid real student protests, the series invites viewers to consider whether the money plot is also a metaphor for political and social tensions in contemporary Bangladesh. Nipun keeps the tone mostly lighthearted, which smartly prevents the show from becoming oppressively dour even as the consequences mount.

Music & Atmosphere

A score that steers mood — sometimes too firmly

The soundtrack is one of the show’s most distinctive tools. Music cues do more than decorate scenes; they actively shape viewers’ feelings, switching the palette from anxious to comedic in an instant. When it works, the score elevates the show’s tonal dexterity; when it doesn’t, jaunty or heavy-handed themes can yank you out of an emotional beat before it lands. Visually and production-wise, the series feels immediate and domestic — the camera favors close, lived-in spaces that underscore Runa’s small-world stakes.

Strengths & Limitations

A sharp lead and tight runtime tempered by predictability and thinly sketched side characters

Jimmi’s greatest asset is its economy: seven episodes and a tidy resolution mean the show never overstays its welcome. Jaya Ahsan’s layered performance turns a familiar premise into something fresh. The series also smartly blends humor with tension, making moral unease feel watchable rather than heavy-handed. Yet the concept itself isn’t entirely original — the “found money” trope has been done before — and some supporting roles remain static, which blunts emotional payoff. The use of real protest footage adds urgency but may also make some viewers uncomfortable given the political resonance.

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Verdict

Entertaining, binge-friendly, and carried by a stellar lead

Jimmi is a compact, often-entertaining Bengali crime drama that thrives on Jaya Ahsan’s committed central performance and a brisk, focused script. It’s perfect for an evening binge when you want something that mixes laughs with moral complexity, though viewers seeking deeper ensemble development or a more original premise may find it wanting. With an efficient seven-episode arc and a willingness to flirt with topical allegory, Jimmi is a worthwhile Hoichoi watch — clever, occasionally flawed, and ultimately rewarding.

Rating: 6.5 / 10