OCD (2026) [Movie Review] — A Taut, Morally Ambiguous Bengali Psychological Thriller

Soukarya Ghosal’s OCD is a Bengali psychological thriller that uses the language of discomfort to interrogate childhood trauma, moral ambiguity, and the tiny violences adults inflict on children. Anchored by a career-best performance from Jaya Ahsan, the film favors slow-burning tension and precise craft over cheap shocks — a choice that makes its eventual payoff both rigorous and emotionally troubling.

Plot & Premise — Obsession as a response to unresolved harm

Dermatology, germophobia, and a past that refuses to stay buried

The film follows Shweta (Jaya Ahsan), a dermatologist whose life is shaped by severe germophobia and touch aversion — behaviors rooted in a childhood scarred by abuse. When the person responsible reappears and walks free, Shweta’s fragility metastasizes into a thirst for retribution. What begins as an interior character study steadily widens into a socially vigilant thriller, one that asks whether trauma can justify the forms of violence it sometimes produces.

Performances — Quiet intensity that never overstates

Jaya Ahsan’s measured interiority and a strong ensemble lift the film

Jaya Ahsan carries OCD on a delicate, commanding performance: her eyes, posture, and silences convey far more than exposition ever could. Anusuya Majumdar (credited as Anashua in some sources) brings a chilling, old-world severity as Shweta’s grandmother, whose formative influence helps explain the protagonist’s moral rigidity. Koneenica Banerjee, Kaushik Sen, and a tight supporting cast provide textured counterpoints, while the child actors (notably Arshiya Mukherjee) deliver scenes of emotional veracity that linger long after the credits roll.

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Direction & Writing — Controlled storytelling with thematic teeth

Soukarya Ghosal directs with a patient hand; the script resists tidy answers

Ghosal’s screenplay and direction privilege suggestion over spelled-out moralizing. The first half unfolds at a deliberate pace, mapping the psychology of compulsion and the small rituals that structure Shweta’s life. Where some thrillers rush toward spectacle, OCD takes time to show how language, upbringing, and silence become instruments of control. When the narrative tightens toward the finale, the film rewards patience with an emotionally potent — if morally unsettled — resolution.

Technical Craft — Sound, light, and framing as narrative tools

Meticulous sound design and crisp cinematography shape the film’s internal world

Arghyakamal Mitra’s sound editing is a standout: ordinary noises — birdcalls, construction clamor, a drip — are sharpened into psychological signposts that mirror Shweta’s inner unrest. Aalok Maiti’s cinematography complements this with carefully considered framing and light, often isolating faces or objects to underline emotional states. Makeup, production design, and color palette further emphasize austerity and neglect, turning small props into storytelling devices.

Themes & Social Impact — A film that wants you to think, not judge

Child abuse, complicity, and the power of adults over children

OCD is most compelling when it refuses to hand the audience a clear moral verdict. The film interrogates how adults’ words and protections — even when well-intentioned — can calcify into cruelty. Rather than offering a single reading, Ghosal stages a moral conversation: who is culpable, and how does systemic neglect allow certain harms to persist? It’s a socially minded thriller that invites debate rather than delivering didactic solutions.

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Verdict — A thoughtful, uneasy achievement

Why viewers should watch: strong acting, precise craft, and an unresolved moral core

OCD is not an easy watch, nor is it meant to be. Its strengths lie in performance-led storytelling, meticulous sound and visual design, and a willingness to sit with discomfort. The deliberate pacing may test those looking for immediate thrills, but for audiences open to a psychologically rigorous drama that doubles as social commentary, OCD offers a powerful, memorable experience. Soukarya Ghosal has crafted a film that lingers — not for its twists, but for the moral questions it refuses to answer cleanly.

Final Rating: ⭐⭐⭐ ⭐ (4/5)