Shotyi Bole Shotyi Kichhu Nei (2025) [Movie Review] — A tense, thoughtful courtroom study

Srijit Mukherji recasts a classic deliberation-room drama into a richly Bengali register with Shotyi Bole Shotyi Kichhu Nei. The film frames its moral experiment through a judge’s uneasy dream: twelve jurors must unanimously decide a criminal case, and a lone dissenting voice forces the group — and the audience — to re-evaluate evidence, memory and motive. The conceit is simple but capacious, allowing Mukherji to probe how life experience, prejudice and personal history shape legal judgment.

Performances

An ensemble that brings both fire and nuance to the jury box

The movie’s strength is its ensemble. Parambrata Chatterjee emerges as the film’s moral center, delivering a performance that balances reasoned persuasion with human vulnerability. Kaushik Ganguly gives a measured turn as the weary judge whose dream frames the moral inquiry. Among the jurors, Rahul Banerjee, Anirban Chakrabarti, Arjun Chakrabarty, Ritwick Chakraborty and others carve distinct personalities from limited space — from hot-headed certainty to cautious doubt — so the deliberations feel like real people clashing, not mere archetypes. Sauraseni Maitra and Ananya Chatterjee add emotional texture, while Kaushik Sen and Kanchan Mullick supply memorable supporting beats; each actor is afforded enough room to leave an impression.

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Direction & Screenplay

Mukherji’s confident adaptation blends psychological depth with dramatic economy

As writer-director, Mukherji navigates adaptation and reinvention with confidence. He borrows the skeleton of Reginald Rose’s teleplay but populates it with contemporary subplots and cultural detail that make the stakes feel immediate and local. The screenplay smartly uses flashlines and background vignettes to broaden the film beyond the confines of a single room, and Mukherji’s pacing keeps the tension steadily accumulating without resorting to melodrama. At times the film luxuriates in exposition, but more often it rewards viewers who enjoy surgical probing of motive and memory.

Cinematography & Sound

Visual restraint and a sparse sound design heighten the claustrophobic mood

Prosenjit Chowdhury’s cinematography is disciplined — long takes and tight framing create an almost theatrical pressure-cooker, while selective wider shots reveal the city outside the courthouse as a counterpoint to the jury’s enclosed world. Sanglap Bhowmik’s editing is sharp, maintaining momentum through transitions and flashbacks. Music is used sparingly and effectively: a handful of songs and a minimal score underscore emotional beats without telling the audience how to feel, and a rustic track lends a grounding layer when the script opens into personal histories.

Themes & Reflection

A persuasive plea for critical thinking over instinctive judgement

At its core the film is an interrogation of bias: how comfortable assumptions, social posture and private grief can conspire to obscure facts. Mukherji doesn’t offer easy answers; instead he invites the viewer into a process of unpicking testimony, weighing inconsistencies and confronting inconvenient truths. The result is both socially resonant and cinematically satisfying — a reminder that reasoned doubt is not cynicism but civic responsibility.

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Verdict

A thoughtful, well-acted revival of a courtroom classic for Bengali audiences

Shotyi Bole Shotyi Kichhu Nei is not lightweight entertainment — it demands attention and rewards it with incisive performances and disciplined direction. Small pacing lulls and the occasional over-explained subplot keep it from perfection, yet the film succeeds as a modern, locally-inflected meditation on justice and human fallibility. For viewers who appreciate intelligent legal dramas and tight ensemble acting, Mukherji’s film is a compelling watch.

Rating: 7 out of 10