Shreeman v/s Shreemati (2025) [Film Review] — A rib-tickling Bengali legal rom-com with heart

Shreeman v/s Shreemati (dir. Pathikrit Basu) is a Bengali-language legal romantic comedy drama that mixes courtroom whimsy with nostalgic romance. Written by Aritra Banerjee and Arpan Gupta, the film stars Mithun Chakraborty, Anjana Basu, Anjan Dutt, Roshni Bhattacharyya, Biswanath Basu, Parambrata Chattopadhyay, and Madhumita Sarcar. At its centre is a decades-long marital standoff: Amal and Aparna Chowdhury, stuck in a 27-year attempt at divorce, whose unresolved past becomes the unlikely project of a young couple and their well-meaning sidekicks.

Story & Screenplay

A quirky premise that balances laughs with sentiment

The screenplay thrives on a charming conceit — a judge who refuses to grant divorces and instead quietly tries to reunite couples. When Justice Amal Chowdhury (Mithun Chakraborty) crosses paths with Saurav (Parambrata) and Amrita (Madhumita), the younger pair take it upon themselves to help the judge and his estranged wife. The set-up is fresh for Tollywood, and the script leans into meta humour, filmic references, and playful fourth-wall nudges. While the first half sparkles with wit and nostalgia, the second half sags occasionally under extended slapstick and a hurried wrap-up that shortchanges some subplots and emotional payoffs.

Performances

Veterans anchor the film; young leads bring the spark

Mithun Chakraborty lends gravitas and a gentle comic authority as Justice Amal, dominating scenes with charisma and restraint. Anjana Basu and Anjan Dutt contribute strong supporting colours that enrich the ensemble. Parambrata Chattopadhyay and Madhumita Sarcar create a believable young couple whose chemistry and warmth propel the story’s sentimental core. Biswanath Basu’s comic timing as the frenemy-lawyer Sakkhigopal is an asset, and Roshni Bhattacharyya and Satyam in the flashbacks bring earnestness to the film’s romantic throughline. Overall, the cast balances experience and freshness well, turning familiar beats into affectionate moments.

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Direction & Tone

Pathikrit Basu’s nostalgic, humour-first approach

Pathikrit Basu steers the film with a light touch, favoring charm over complexity. The tone deliberately evokes an ambiguous retro era — visuals nod toward the ’70s while jokes and music references span decades — creating a pleasant, timeless backdrop. This stylistic choice supports the film’s comic impulses, though it occasionally masks the need for deeper character motivation, particularly around why Amal and Aparna’s marriage fractured in the first place.

Technical Merits: Music & Visuals

Songs, cinematography, and period texture lift the mood

Indraadip Dasgupta’s score and Anjan Dutt’s nostalgic number, “Boyesh bere jay sokoler,” add melodic warmth and help punctuate emotional beats. Gopi Bhagat’s cinematography bathes North Kolkata and the film’s flashbacks in a soft, nostalgic glow; the black-and-white sequences are particularly effective. However, the editing could have been tighter — trimming some of the second half’s excess would have kept momentum brisk and made space to explore the Amrita–Saurav arc more fully.

Strengths & Shortcomings

Where the film shines — and where it could improve

Shreeman v/s Shreemati scores high on charm, humour, and ensemble chemistry. Its witty dialogues, meta moments, and a feel-good core make it an enjoyable watch. Weaknesses include a thin justification for the central estrangement, a second half that relies sometimes on broad physical comedy, and a rushed denouement that flattens certain emotional beats.

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Verdict

A warm, amusing slice of Tollywood nostalgia

For viewers seeking a light-hearted Bengali rom-com with courtroom quirks and generous nostalgia, Shreeman v/s Shreemati is a pleasing, often funny watch. It’s not without flaws, but strong performances — led by Mithun and supported by Parambrata, Madhumita, and Biswanath — plus an affectionate tone make it worth your time.

Final score: 6.5/10 — a warm, rib-tickling ride that could have been even more resonant with tighter storytelling.