Jiit Chakraborty’s Aarii is an earnest Bengali action-drama that pairs a moving caregiver story with punchy, well-choreographed violence. It doesn’t always land every narrative beat, but strong central performances, vivid cinematography, and a sincere emotional core make it a worthy watch.
About the Film
A caregiver, a gang, and the choices that follow
Directed by Jiit Chakraborty and written by Amitava Bhattacharya, Aarii stars Moushumi Chatterjee, Yash Daasguptaa, Nussrat Jahan, Kamaleswar Mukherjee, Srabanti Chatterjee, and Somraj Maity. The film follows Joy (Yash Daasguptaa), the devoted son and sole carer of his aging mother Jaya (Moushumi Chatterjee), whose diminishing memory and unpredictable moods shape the emotional center of the story.
Story & Themes
Caregiving, aging, and moral compromise
At its core, Aarii explores the human cost of eldercare. Joy’s life is upheaved when financial pressure and proximity to local underworld figures force him to choose between duty and survival. Gang lord Trilok (Partho Bhowmik) steers Joy toward crime, while friends and rivals — including Bubai (Unmesh Ganguly) and Lalon (Debraj Bhattacharya) — raise the stakes. The arrival of Aditi (Nusrat Jahan), a writer intrigued by Joy and Jaya’s bond, adds an observational layer that highlights loneliness, memory loss, and the social fabric around caregiving.
Performances
Heartfelt work that carries the film
Moushumi Chatterjee is the film’s emotional lodestar, delivering a performance that oscillates between mischief and melancholy with affecting clarity. Her portrayal of Jaya—at once whimsical and fragile—imbues the movie with genuine tenderness. Yash Daasguptaa anchors the drama as Joy, convincingly torn between obligation and outside pressures. Nusrat Jahan, though underused, is effective in pushing the narrative and humanizing the domestic scenes. Supporting actors, including Kamaleswar Mukherjee and Unmesh Ganguly, add friction and texture to the gangland subplot.
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Direction & Technicals
Protecting the atmosphere; staging the violence
Jiit Chakraborty balances two tonal registers—the intimate family drama and the kinetic action sequences—with varying success. Where the film shines is in Souvik Basu’s cinematography: lush greenery, sweeping aerials of boats and coastlines, and carefully composed interiors lend the film a cinematic sweep that elevates routine moments. The action is gritty and convincing; fight choreography lands hard, and the editing keeps the second half taut.
Music & Sound
Songs that enhance mood
Musically, Aarii mixes reflective and lively flavors. The title track by Anindya Chattopadhyay is a slow, evocative ballad that complements the film’s emotional axis, while Keshab Dey’s upbeat number Dakat Poreche, sung by Iman Chakraborty, injects vibrant energy. The soundtrack is well-placed, though a couple of mid-film songs could have been trimmed to preserve momentum.
What Works
Emotion, production value, and action
Aarii succeeds when it leans into the tenderness between mother and son. Strong production design and Basu’s visuals create a memorable atmosphere, and the film’s action set pieces are well-executed, especially in the film’s latter half, where rivalries escalate.
What Falters
Loose plotting and convenient solutions
The screenplay occasionally feels uneven — some plot turns arrive too neatly, and a few narrative threads could use firmer development. At times, the film juggles its social commentary and genre demands without fully committing to either, which dilutes potential impact.
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Final Verdict
A heartfelt, if imperfect, local drama with punch
Aarii is a thoughtful attempt to merge social realism with mainstream thrills. It may not be flawless, but its emotional honesty, strong lead performances, and striking visuals make it a satisfying summer watch for viewers who appreciate character-driven regional cinema with an edge. If you value atmosphere and acting over tightly wound plotting, Aarii will stay with you after the credits roll.
Rating: ⭐⭐⭐ (3/5)