Dorod (2024) [Movie Review]: A Chilling Indo-Bangladesh Psychological Romantic Thriller

Dorod arrives as a bold Indo-Bangladesh joint venture that blends romance with a dark psychological edge. Director-writer Anonno Mamun takes on the unusual theme of Celebrity Worship Syndrome (CWS), and while the film isn’t flawless, it marks a refreshing, ambitious turn for Bangladeshi cinema.

Plot & Theme

Celebrity obsession at the story’s core

The narrative slowly unfolds around fame, fixation, and the human cost of idolisation. Mamun peels back character motivations deliberately, asking the audience to stay invested until the final reveals. Treating CWS as the central psychological engine gives the film an uncommon and intriguing premise.

Performances

Shakib Khan delivers a career-high, supported by a fine ensemble

Shakib Khan carries the film with a layered, controlled performance — at times fragile, at times unnerving — that cements his versatility. His final scenes are particularly affecting and likely to linger with viewers. Sonal Chauhan matches him well; their cross-border chemistry feels natural and convincing. Supporting actors, including Rahul Dev, Payel Sarkar, Rajesh Sharma, and newcomer Safa Marwa, contribute solidly, even if a couple of roles could have been deeper.

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Direction & Technicals

Confident direction, strong camera work, and editing

Anonno Mamun focuses more on character work than spectacle, and the filmmaking reflects that choice. Cinematography captures Varanasi’s moods effectively, and the editing generally maintains tension, though the first half could have been tighter. Overall production values show notable improvement from Mamun’s earlier films.

Music & Soundscape

Score elevates the emotional beats

The background score is a standout, heightening suspense and emotion — notably during Shakib Khan’s final walk. The soundtrack is sparing but well-placed; one melancholic rendition stands out as especially beautiful.

Weaknesses

Pacing and runtime hold the film back

The main drawbacks are a sluggish first half and some indulgent stretches that could have been trimmed. A slightly leaner cut would have sharpened the impact and allowed the film’s psychological tension to build more efficiently.

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Verdict

A courageous, affecting film with memorable lead work

Dorod is an important, often powerful experiment for Bangla cinema — anchored by Shakib Khan’s finest performance in recent years and buoyed by smart technical work. Despite pacing issues, it’s a rewarding watch for fans of psychological thrillers and anyone curious about cinema that dares to probe celebrity obsession.

Overall Rating: 6.5/10