Omorshongi (2025) [Movie Review]: Vikram and Sohini Lead an Uneven Supernatural Romantic Comedy

Snapshot: Directed by Dibya Chatterjee and written by Aritra Sengupta, Omorshongi aims to fuse supernatural thrills with romantic comedy, anchored by Vikram Chatterjee and Sohini Sarkar. The film sits at a middling 5.5 / 10, an honest reflection of a project that charms in parts but never fully commits to its ambitions.

About the film

Prem, possession, and the awkward gap between tone and intention

A grieving novelist (Anurag) discovers that his deceased fiancée (Joyee) isn’t quite gone — she returns as a ghost who alternates between urging him to move on and insistently clinging to their past. The premise offers fertile ground: love, loss, jealousy, and the comic potential of a possessive spirit. While the film often looks the part — low-light photography and moody interiors deliver a pleasingly eerie palette — the screenplay struggles to decide whether it wants to be tender, sinister, or outright funny. The result is an uneven tone that undercuts the emotional stakes.

What works

Strong chemistry and a soundtrack that rescues many slow patches

The central pairing is the film’s saving grace. Vikram Chatterjee and Sohini Sarkar share believable chemistry; their early-life sweetness and later spectral tension are likable and often sincere. Supporting turns — notably Dibyasha Das in a memorable cameo and a scene-stealing performance from Sandeep Bhattacharya as the comic father figure — add texture. Musically, the film benefits from tracks like the popular Raikamal by Chakropani Dev and the evocative contributions of Tamalika Golder; songs by Arko and Rishi Chanda lend emotional lift when the screenplay drifts.

If you want to watch new Indian Bengali films for free, click now on HDMovie365.com

What fails to land

Pacing problems, tonal whiplash, and jokes that sometimes miss the mark

If the film’s strongest elements are performance and sound, its weakest is structure. The first act hooks you, but momentum lags after the initial 30 minutes as the script indulges in stray set pieces and loosely connected incidents. Comedy frequently feels forced and occasionally flirts with insensitivity when touching grief. The supernatural beats are more aesthetic than affecting — scares are sparse and rarely earned — so the movie neither frightens nor fully amuses enough to justify its hybrid identity. Tightening the middle and choosing a clearer tonal priority would have converted several promising sequences into genuine emotional payoffs.

Performances & direction

Acting that almost makes the film transcend its script

Both leads deliver layered performances: Sohini Sarkar captures Joyee’s playful malice and heartbreak with ease, while Vikram Chatterjee offers a grounded portrait of a man caught between mourning and moving on. Dibyasha Das and cameo appearances from familiar faces add welcome variety. As a debut, Dibya Chatterjee shows visual flair and an ear for mood, but the film would have benefited from more editorial discipline and sharper tonal control.

Watch the trending Indian Bangla cinema Omorshongi now on HDMovie365

Verdict — final thoughts

A rom-com with heart but an identity crisis

Omorshongi is earnest, intermittently funny, and blessed with a soundtrack that lingers after the credits. Yet it’s also overlong in places, uncertain in tone, and too forgiving of digressions that sap momentum. For viewers who come for the leads and the music, it’s worth a one-time watch; for those seeking a coherent supernatural rom-com that balances laughs and chills, this one leaves you wanting. Rated 5.5 / 10, Omorshongi is an intriguing debut with clear strengths and equally clear lessons to learn.