Beporoya (2026) [Movie Review] — A Love Story That Struggles to Find Its Own Voice

Abhirup Ghosh’s Beporoya attempts to explore first love beyond its familiar romantic surface. Starring Adrit Roy and Aryaa Ray as Joy and Rinku, the Bengali romantic drama follows a young couple through seven emotional stages of love, tracing their journey from innocent attraction to heartbreak, anger, obsession, and eventual acceptance. It is an ambitious structure, particularly for a mainstream Bengali romance, but the film ultimately struggles to turn its promising premise into a distinctive cinematic experience.

A Familiar Romance With a Darker Turn

The early portions of Beporoya have the energy of a conventional college romance. Joy and Rinku share an easy chemistry, while the colourful presentation and playful moments establish the excitement of their relationship. These sequences are enjoyable, but the film gradually moves into much darker territory as love gives way to emotional turmoil.

The tonal shift is bold, yet it is not always convincing. The later sections carry echoes of films such as Kabir Singh, while the closing stretch moves toward a softer and more reflective emotional space reminiscent of Hemlock Society. Taking inspiration from other films is hardly unusual, but Beporoya does not sufficiently reshape these influences into its own identity. As a result, several portions feel familiar rather than fresh.

Strong Visuals Cannot Fix Weak Writing

Where Abhirup Ghosh’s direction finds greater consistency is in the visual treatment. The cinematography gives the romantic portions a warm, appealing look before adopting a more confined and serious mood as Joy’s emotional state deteriorates. The changing visual language effectively reflects the different stages of the relationship.

However, the screenplay does not always provide the same level of control. The seven-stage structure is an interesting foundation, but the dialogue frequently falls back on predictable romantic and dramatic exchanges. Some emotionally important moments are also rushed instead of being allowed to develop naturally.

The comic sequences are another weakness. While a few provide welcome relief, others appear inserted primarily to satisfy commercial expectations. The second original song, Phiriye Daao, composed by Arindom Chatterjee, written by Prasen and sung by Nikhil D'Souza, stands out as one of the film’s more memorable elements.

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Adrit Roy and Aryaa Ray Deliver Uneven Performances

Adrit Roy handles Joy’s transition from romantic devotion to emotional devastation with some effective understated moments. However, his performance varies across the film, making Joy’s increasingly troubled behaviour less convincing than it should be.

Aryaa Ray brings a natural rawness to Rinku in her debut, but the screenplay limits her character. Rinku is often viewed primarily through Joy’s emotional journey, leaving little space to understand her perspective independently.

The veteran supporting actors are more dependable, particularly as the two families’ traditional Bengali patriarchs. Their performances bring familiarity and credibility whenever the film becomes overly dramatic.

The Ending Gives Beporoya Its Best Moment

Without revealing the conclusion, the ending deserves genuine appreciation. Rather than choosing the easiest romantic resolution, Beporoya takes a comparatively grounded approach. It is one of the few moments when the film feels confident enough to step away from conventional expectations.

The late special appearance is another highlight. Its restrained performance and quiet emotional impact demonstrate how effective subtle acting can be, especially when contrasted with the film’s more exaggerated dramatic stretches.

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Beporoya Movie Review: Final Verdict

Beporoya has a promising concept, attractive cinematography and a few genuinely effective performances, but its potential is weakened by uneven writing and an inconsistent tone. The film frequently reaches toward familiar cinematic influences instead of developing a stronger voice of its own.

With a more focused screenplay and deeper characterisation, the seven stages of love could have produced a much more compelling Bengali romantic drama. As it stands, Beporoya is a 2.5/5 experience—worth considering for viewers who enjoy Bengali romance and emotionally turbulent relationship dramas, but best approached with modest expectations.

Rating: ★★⯪☆☆ (2.5/5)