Daktar Kaku (2026) [Movie Review] — Prosenjit Chatterjee Anchors a Thoughtful Family Drama

Daktar Kaku is an Indian Bengali suspense drama that attempts to blend family relationships, medical ethics, ideology, and class into an emotionally driven story. Directed and written by Pavel, the film stars Prosenjit Chatterjee in the central role, alongside Ena Saha, Pavel, Rajatabha Dutta, Riddhi Sen, and Tulika Basu. While the film has an interesting premise and several strong performances, its ambitious screenplay struggles to bring all of its themes together with equal impact.

A Doctor Who Turns Family Into His Greatest Legacy

The story centres on Dr Dilip Saha, a committed physician who raises his son Puskin alone after the death of his wife. His life takes another emotional turn when he adopts Pocha and Mampi, the children of a patient who dies around the same time as his wife.

Despite their difficult beginnings, the three children grow up together. Dr Saha eventually trains both Puskin and Pocha to become doctors, creating a family built not only on blood relationships but also on shared values and responsibility.

This foundation gives Daktar Kaku its strongest emotional possibility: what happens when children raised by the same father inherit completely different ideas about his values?

Two Brothers, Two Visions of Medicine

The central conflict develops through the contrasting personalities of Puskin and Pocha. Pocha remains deeply grateful to Dr Saha and embraces his belief that medicine should primarily serve people. Puskin, however, gradually becomes more business-minded and begins questioning the ideology that shaped his childhood.

His resentment toward his father has a personal origin. Puskin struggles with the memory of his mother's death and blames Dr Saha for being away treating a patient when the family needed him. As the brothers grow older, their differences become increasingly difficult to ignore.

The premise offers plenty of scope to explore healthcare, privilege, ambition, and commercialization, even though the screenplay does not always develop these ideas as deeply as the story demands.

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Prosenjit Chatterjee Brings Emotional Weight

The biggest strength of Daktar Kaku is undoubtedly Prosenjit Chatterjee. As Dr Saha, he gives the character conviction without turning him into a simplistic ideological figure. His restrained performance provides the film with an emotional centre, particularly during the quieter family moments.

Pavel is also effective as Pocha, bringing warmth and sincerity to his relationship with Dr Saha. Their scenes together are among the film's more affecting passages.

Riddhi Sen has a more challenging role as Puskin, but the character's emotional progression is not always sufficiently developed by the writing. His changing relationship with his father therefore feels less psychologically convincing than it could have been.

Some Clever Visual Moments Stand Out

Technically, the film is somewhat inconsistent, although there are moments that demonstrate thoughtful filmmaking. One notable sequence takes place inside an elevator during a conversation between Puskin and Mr Damani, played by Rajatabha Dutta.

The confined space and its movement between different floors subtly reflect Puskin's uncertainty between opposing ideas of morality and ambition. Moments like this suggest a stronger visual language that the film could have used more consistently.

The makeup work, however, can be distracting, particularly when attempting to establish different stages of the characters' lives.

Where the Screenplay Loses Its Way

The biggest limitation of Daktar Kaku is its writing. The film wants to discuss family, ideology, healthcare, class, gratitude, and ambition, but too many themes compete for attention.

Several developments feel designed primarily to establish an argument rather than emerging naturally from the characters. As a result, some conflicts lack the emotional complexity necessary to make the brothers' eventual ideological divide genuinely painful.

The film would have benefited from spending more time developing Puskin's internal conflict and allowing the relationship between the two brothers to evolve more organically.

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Final Verdict: An Ambitious Drama Led by Prosenjit

Daktar Kaku has the ingredients of a compelling family drama about two brothers shaped by the same father but pulled toward very different versions of his legacy. Its exploration of medicine, ideology and ambition gives the film something meaningful to say.

However, the screenplay tries to carry too many ideas at once, preventing several of them from receiving the depth they deserve. Still, Prosenjit Chatterjee's assured performance, Pavel's warmth, and a handful of intelligent visual choices make the film worth watching.

Ultimately, Daktar Kaku is an ambitious Bengali drama with a strong central performance and an intriguing premise, even if its execution remains uneven.

Rating: ⭐ 6.5/10