Durlabh Prasad Ki Dusri Shadi is a small-town Bollywood romantic comedy directed by Siddhant Raj Singh, written by Aadesh K. Arjun and Prashant Singh, and anchored by a warmly textured performance from Sanjay Mishra. The film blends Banarasi local colour with a premise that flips usual matchmaking tropes: a son must find a wife for his widowed father to satisfy his would-be in-laws.
Premise & Plot
The set-up is deliciously original for a mainstream rom-com. Murli (Vyom Yadav) wants to marry Mehak (Pallak Lalwani), but her family insists their household include a woman of status — preferably a mother figure. That launches Murli on a comic quest to remarry his father, Durlabh (Sanjay Mishra). Old flames, social expectations and a community’s curiosity complicate the search, while Mahima Chaudhary’s Babita — a bold, independent presence — returns to the fold and rekindles a late-life possibility for Durlabh. The film scores points for its concept, but the narrative thread occasionally loses momentum, stretching comic beats into repetitive detours.
Performances
Sanjay Mishra is the unquestioned heart of the movie. He brings nuance to a role that could have slipped into caricature — the gentle, easily led widower is funny, vulnerable and often touching. Mahima Chaudhary makes the most of Babita’s defiant energy; she’s a scene-stealer whenever the script allows her to be unapologetically herself. Vyom Yadav is a pleasant surprise as Murli, convincingly comic and earnest in equal measure, while Pallak Lalwani delivers a steady, likeable turn as the prospective bride. The supporting cast adds colour and local flavour, though some side characters are sketched only broadly.
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Direction & Writing
Siddhant Raj Singh and the writing duo take risks with the film’s central idea, and those risks are mostly rewarding. The screenplay sparkles in moments — especially early sequences that establish Varanasi’s rhythms and the film’s comic tone — but the middle act sags. Subplots such as matchmaking fairs, astrological detours and a tongue-in-cheek “desi Tinder” feel intermittently fun yet undercooked. At times, the film rushes resolutions, giving emotional payoffs that aren’t fully earned. Still, the intent is clear: to interrogate small-town proprieties and celebrate late-blooming love.
Cinematography & Technicals
Anil Singh’s cinematography is a notable asset. The camera lingers on Varanasi’s ghats and narrow lanes with an affectionate eye, turning landscapes into character. Production design and costume choices ground the story in a recognizably Banarasi milieu, while the film’s pacing — though uneven — benefits from a clean edit in its brisker scenes. The background score supports mood shifts without ever dominating them.
Themes & Takeaway
Beneath the rom-com surface, the film raises empathetic questions about agency, ageing and the double standards applied to independent women. Babita’s refusal to be tamed and Durlabh’s quiet desires form the most resonant emotional core. While the screenplay doesn’t always follow through, those moments of authenticity linger — especially when the film privileges character over gag.
Final Verdict
Durlabh Prasad Ki Dusri Shadi is an affectionate, low-key Bollywood rom-com with a fresh premise and strong lead work, especially from Sanjay Mishra and Mahima Chaudhary. It occasionally falters in storytelling discipline and pacing, leaving some arcs feeling hurried. For viewers who appreciate character-driven comedies with regional flavour and a humane outlook on love in later life, it’s worth a watch.
Rating: ⭐⭐⭐ (3/5)
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Who Should Watch It
Fans of offbeat romantic comedies, lovers of Sanjay Mishra’s understated craft, and those who enjoy films rooted in real places — especially Varanasi — will find enough charm here to recommend a trip to the theatre.