Haq (2025) [Movie Review]: A Poignant Courtroom Drama of Faith, Rights and Resilience

Set in the 1970s–80s, Haq follows Shazia Bano (Yami Gautam), whose life collapses when her husband Abbas Khan (Emraan Hashmi) returns with a second wife and pronounces talaq. Left to fend for herself and her children, Shazia takes her battle to the courts. What begins as one woman’s quest for dignity escalates into a larger debate about faith, justice, and women’s rights — a cinematic echo of the landmark Shah Bano controversy.

Story & Screenplay

A focused narrative that earns its weight

Reshu Nath’s screenplay keeps the legal and emotional threads simple but deliberate. The film adapts real-life inspiration into a dramatized yet accessible courtroom chronicle, avoiding melodrama in favor of steady, human storytelling. The pacing is measured; scenes build methodically toward the courtroom confrontations that anchor the film’s moral stakes.

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Performances

Yami brings quiet authority; Emraan is complex and contained

Yami Gautam anchors the film with a restrained, affecting turn as Shazia — equal parts dignity and quiet defiance. Emraan Hashmi complements her with a subdued, morally ambiguous Abbas who never becomes a caricature. Sheeba Chaddha, Danish Husain, and the supporting cast add depth, giving the courtroom sequences emotional weight and credibility. Together, the ensemble keeps the film grounded and believable.

Direction & Tone

Conviction over flash — a filmmaker with a clear purpose

Director Suparn S. Varma approaches the material with a steady hand, privileging clarity and empathy over spectacle. The result is a socially aware courtroom drama that feels urgent without preaching. Varma’s restraint helps the film speak for itself: the personal story doubles as a commentary on systemic injustice, and the film’s tone consistently honors both.

Technicals & Music

Authentic texture, unobtrusive score

The production design and dialogue convincingly evoke Western Uttar Pradesh of the era, adding texture to the narrative. Vishal Mishra’s music supports the film emotionally, rarely intruding but always enhancing the mood. Cinematography and editing keep the focus on performances and arguments, which is precisely where the film needs to live.

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Verdict

A quiet, essential film that respects its subject

Haq is a brave, well-crafted courtroom drama that turns a specific legal battle into a universal story about dignity and rights. With strong lead performances and disciplined direction, it becomes more than a period legal tale — it’s an empathetic reminder that personal stories can spark broad social change. Recommended for viewers who appreciate issue-driven cinema delivered with heart and restraint.

Rating: ⭐⭐⭐⭐ (4/5)