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Tere Ishk Mein (2025) [Movie Review] — A Charged Romance That Wavers Between Fury and Friction

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Aanand L. Rai’s Tere Ishk Mein reunites intense performances with an audacious premise: can psychology truly strip a person of violence? The film follows flight lieutenant Shankar (Dhanush), whose volatile behaviour during war requires psychiatric clearance, and Mukti (Kriti Sanon), the counsellor assigned to evaluate him. Their fraught history and a present-day professional relationship drive the film’s emotional core.


Story & Structure

An intriguing idea that frays under weighty storytelling

Writers Himanshu Sharma and Neeraj Yadav open with a provocative premise — therapeutic intervention as a cure for violence — and then complicate it by turning a clinical experiment into a charged, often destructive romance. Shankar’s desperate, self-consuming love contrasts with Mukti’s cool, academically framed approach, but the screenplay frequently zig-zags between wartime immediacy and a cluttered past. Side threads — class conflict, family humiliation, a discordant spiritual interlude, and a later love triangle — make the narrative feel overburdened. Clocking in at just under three hours, the film sometimes lingers where it should tighten, creating uneven pacing and tonal shifts that undercut the central idea.

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Direction & Writing

Ambition meets inconsistency

Aanand L. Rai stages many scenes with conviction, and there are moments when the movie’s thematic intentions — about rage, sacrifice, and redemption — hit home. Yet the screenplay’s contradictions are jarring: Mukti, a PhD psychologist, behaves manipulatively and inconsistently; certain dramatic acts (from incendiary tantrums to shocking home invasions) strain credibility. These lapses leave the film feeling fragmented even as it pushes for operatic intensity.


Performances

Dhanush and Kriti Sanon carry the film on their shoulders

The heart of Tere Ishk Mein is its acting. Dhanush embodies Shankar’s volatility and vulnerability with raw commitment—his portrayal of a man consumed by love and fury is the movie’s most convincing element. Kriti Sanon provides a strong foil, delivering a layered performance that shifts from professional detachment to emotional collision. Supporting players, including Priyanshu Painyuli, Prakash Raj, and Tota Roy Chowdhury, lend depth and gravity to the world around the leads.


Cinematography & Music

Striking visuals and a soundtrack that mostly lands

Tushar Kanti Ray’s cinematography captures the film’s changing textures well, balancing softer, reflective moments with the charged, claustrophobic sequences of the second half. A. R. Rahman’s score complements the film in places — the title track “Tere Ishk Mein” and the haunting Sufi number “Deewana Deewana” stand out, while the jazz-inflected “Jigar Thanda Re” creates atmosphere even if it doesn’t entirely elevate key scenes.

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Verdict

A compelling but flawed romance that will divide audiences

Tere Ishk Mein is an ambitious, performance-driven romantic drama that offers striking emotional highs and memorable scenes of pain and passion. Yet the film’s sprawling script, occasional tonal misfires, and narrative inconsistencies prevent it from fully coalescing. Fans of intense, character-led love stories will find much to admire—especially Dhanush and Kriti Sanon—while viewers seeking a tighter, more coherent tale might be left wanting. Overall, it’s a bold film with more hits than misses: a four-star experience that feels both intoxicating and imperfect.


Rating: ⭐⭐⭐⭐ (4/5)

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