Sanatan and Sulekha embody an ideal married couple, and together with their son Rik, they appear to have the perfect family. Though Sanatan is unable to speak, those around him have grown accustomed to understanding him, helped greatly by his small notebook, which he fondly calls Kothamrito. Meanwhile, Babun and Ananya struggle with troubles in their own marriage. The question arises: should we chase the “correct way” to sustain a relationship, or is it more meaningful to discover “our own way” to make it flourish?
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